Nacido
en Barcelona se dedica a difundir como profesor, el dibujo y la pintura
entre los niños en la Educación Primaria. Gamboa se introduce
en el mundo de las sensaciones y nos muestra su trabajo en esta web.
Un
goteo continuo de gestos va inundando su pintura. Unas veces con tranquila
suavidad y otras, las más, con agresivo colorido.
Óleo,
acrílico y pigmentos se sobreponen a materiales naturales que
de una forma constante aparecen en su obra. Las texturas que seducen
al espectador y que parecen invitar a ser tocadas, nos hacen recorrer
una forma muy personal de lo que el autor entiende de la naturaleza,
los pensamientos y las emociones.
En
estos últimos años la pintura de J.Gamboa ha ido evolucionado
del abstracto informal a las líneas rectas y formas geométricas
primarias como el rectángulo el cuadrado o el círculo
sin abandonar nunca lo que para él es básico en su obra,
la textura.
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He was born 1964 in
Barcelona.
His artistic activity began in 1999 creating some first works which
were characterized for being made with sea sand, latex and even some
concrete.These tree features give a big weight to his work. But the
most relevant feature from this beginning until present was the study
of the textures and geometry. His common colors in this origin were
brown, black and very dark blue and green.
After this origin from 2004 to 2008 he changed dramatically introducing
colors like electric blue, gold, silver, brilliant blue, and others
with a lot of shades. Here there was a very drastic evolution to geometric
structures and big formats. From this age the works are biggest and
brightest, therefore they show a impressive first sight. Move is a feature
in these works.
Finally the present pieces are carrying out a new evolution from their
foundation because the wood base has been replaced by a light wood structure
almost having a sculpture as result. From 2008 to the present JGamboa
has made some new works with this new technique. Obviously the result
is a group of pieces of small size but maintaining their textures and
geometric subject. These pieces are almost able to flight and look like
frail, though the reality is that due to the material and technique
used the final result is hard and aggressive.
ing Art History
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